Talent image approvals

How talent image approvals work in film & TV

The end-to-end workflow for talent image approvals — from on-set stills through cast kills to key selects.

Unit stills being reviewed and approved across screens in a production office

In short

What are talent approvals?

Talent approvals are an actor's right to kill — in effect, veto — the use of any still taken of them across the course of filming. Their contract with the production will typically require them to approve a minimum percentage of both their solo and group images.

In short

What does the typical process look like?

Unit stills shot on set are uploaded, then curated so each actor reviews only relevant images. Cast or their agents kill shots they don't want published, within their contractual limit. The remaining approved frames can then either be delivered to the distributor or edited into a refined set of key selects by the unit publicist or producer before going to the distributor — with a full audit trail of every decision.

What talent image approvals are

In film and television, talent image approval is the process by which cast sign off the images shot of them before any are used for publicity. It exists because most actors hold kill rights: a contractual right to veto images of themselves. (Our companion guide explains kill rights in full.)

What images does an actor need to approve? Approval covers every image containing their likeness — not only the frames shot by the unit photographer. In practice that typically means unit stills, gallery images (also known as specials, key art or studio shoots) and screen grabs. All of them go through the same review.

The workflow runs from the moment the shutter fires on set to the clean hand-off of cleared images to the marketing team. Understanding each stage is the difference between a smooth release and a scramble against a publicity deadline. The five stages below describe the full path.

The talent image approval workflow in five steps: shoot on set, upload, curate, cast review and kill, deliver key selects

Shooting and uploading the stills

The sequence begins on set with the unit stills photographer, who captures promotional frames alongside principal photography. A single production day can produce hundreds of images, and a full shoot many thousands.

Those frames are then uploaded into the review system. At this point images can be tagged by cast member, scene or shoot day, and — where the production wants an extra layer of protection during review — watermarking can be applied so preview copies cannot leak or be reused. Nothing is shown to talent yet; the raw upload is simply the working pool from which the production will curate.

Curating and cast review

This is the stage that distinguishes a proper approval process from a free-for-all. The production does not hand actors the entire shoot. Instead it curates the pool, so each actor reviews only the images relevant to them. Weak frames, technical rejects and shots an actor was never going to clear are filtered out before review even begins, which keeps the process focused and protects unused material.

If a production struggles with the volume of images, the Image Approvals team can assist with curation. Check out our services page for more info.

Each actor — or their agent or publicist — then works through their curated set image by image: keeping shots they are happy with and killing those they object to, within the limit their contract allows. This is where cast clearance actually happens, decision by decision. A contact sheet gives reviewers a quick overview of the whole set so they can judge it at a glance rather than image by image.

The detail of how the allowances are written and calculated — and the difference between solo and group limits — is covered in our guide to cast approval percentages.

Key selects and delivery

Once review is complete, the killed images drop out and the survivors form the approved set. This cleared set can be delivered to the distributor as it is, or the unit publicist or producer can first refine it into a tighter set of key selects: the strongest cleared frames that will actually carry the campaign — posters, press, streaming artwork and social.

Either way, the images going to the distributor have already cleared talent approval, so the marketing team can use them with confidence: there is no risk of publishing an image an actor has killed, and no last-minute re-clearing under deadline.

The audit trail and the software

The concept is straightforward; the bookkeeping is not. Each actor has their own allowance, their own solo and group limits, and their own representative making decisions — across thousands of frames and several shoot days. Doing that by hand, across spreadsheets and email threads, is exactly where approvals get lost and miscounts slip through.

This is the problem a dedicated talent approvals platform is built to solve, and it is what Image Approvals is for. It tracks every kill automatically against each actor’s contractual percentage, records who approved what and when in a timestamped audit trail, and delivers a clean, cleared set ready for the distributor. If a dispute arises later, the record shows precisely what was decided and by whom. You can see it in action with a short demo, and we’ll happily put together a free quote for your production.

Frequently asked questions

What images does an actor need to approve? +
Every image containing their likeness, not just the frames shot by the unit photographer. That typically covers unit stills, gallery images — also known as specials, key art or studio shoots — and screen grabs. All of them go through the same approval process, and each counts towards the actor's contractual allowance.
Who reviews and approves the images? +
Usually the actor, or their agent or publicist acting for them. The production decides which images each person sees, and that person reviews the curated set and kills anything they don't want published, up to their contractual allowance.
What is the difference between a kill and a select? +
Killing is an actor rejecting an image. Producers, publicists and other stakeholders can also kill images, though these are typically not mandated by a contractual percentage the way an actor's are. A select is an image that has survived the approval process and then been flagged as a key image by a publicist, producer or other stakeholder. Approved selects typically represent the strongest cleared frames a production wants to put forward to its distributor for marketing.
Why not just use email and a shared folder? +
It works until it doesn't. Across thousands of frames and several cast members with different allowances, manual tracking loses approvals, miscounts kills and leaves no reliable record. Dedicated software tracks every decision automatically and keeps an audit trail.
Can cast see every photo from the shoot? +
No. The production curates the set first, so each actor only reviews images relevant to them. This keeps review focused, protects unused material and stops cast objecting to frames that were never going to be published anyway.

Prefer to see it in action?

We'll walk you through curation, kill tracking and approved-stills delivery on a real production set-up.

Talent & stills approvals, handled.

Curate what cast see, track kills automatically and deliver approved photography — without the spreadsheets.

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